Chase your dreams…but don’t get caught. In line with the hit Steven Spielberg film along with the incredible true story, Catch Me WHEN YOU CAN may be the high-flying musical comedy about chasing your dreams rather than getting caught. Nominated for four Tony awards, including Best Musical, this delightfully entertaining show was made by way of a Tony Award-winning “dream team,” using a book by Terrence McNally (THE ENTIRE Monty, Ragtime) as well as a swinging score by Marc Shaiman and Scott Wittman (Hairspray). This true-life story portrays Frank’s story like a 1960s TV spectacular, boasting a soulful Motown-with-a-shot-of-Sinatra score. Seeking fame and fortune, precocious teenager, Frank Abignale, Jr., runs abroad to begin with an unforgettable adventure. With only his boyish charm, a large imagination and huge amount of money in forged checks, Frank successfully poses being a pilot, a health care provider and an attorney – living the high life and winning the lady of his dreams.

Frank’s lies appeal to FBI agent, Carl Hanratty, who pursues Frank in the united states to create him purchase his crimes. Catch Me WHEN YOU CAN is really a big and bright spectacle with high-energy dance numbers including a riveting story everyone can relate with. Cast information will undoubtedly be placed here. Cast bios will undoubtedly be placed here. Additional creative team bios will undoubtedly be placed here. Press images aren’t yet designed for this production. Friday, September 4, at 6:30 p.m. Celebrate open nights at Coronado Playhouse! You’re a loyal supporter in the Community’s Theatre and you want to show our appreciation. Playhouse members are invited to some hosted Happy Hour at CPH for drinks and appetizers before each opening nights each new main-stage production. Mingle with fellow theatre lovers and revel in the ambience and excitement of opening night. Not just a member? No problem! Membership starts at only $50 and may be purchased beforehand or at the function. Community Theatre is manufactured by, with as well as for the community by which it really is performed. Coronado Playhouse is focused on pursuing community theatre inside the truest sense of what by giving back again to individuals of NORTH PARK County and Coronado and using our public platform to greatly help those in need.

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Linda Hodges, BroadwayWorld: Coogan shines because the orphaned Anya, who’s feisty and strong despite her painful past and tenuous present. Her beautiful, lilting soprano rings out about hazy memories from way back when but she can not be sure whether it’s Dmitry and Vlad’s lessons or whether it’s her genealogy that’s making its solution to the top of her mind. However the bigger issue of escaping Russia overrides all the needs and soon they prepare to check out Paris to meet up their future. Randy McMullen, The Mercury News: The thing is there are way too many elements in such a play, and do not require are terrific. Anya is written being a prototypical heroine, so endearing and noble (and she can fight, needless to say) that people feel none of her torment, and this robs the storyplot line of a lot of its edge. The romance is indeed tepid you can imagine the Hallmark Channel begging these characters to spice things up just a little.

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And the songs are fine, but hardly memorable. Lily Janiak, The SAN FRANCISCO BAY AREA Chronicle: Much like other occupants of the dimension, “Anastasia,” which opened Wednesday, Sept. 4, at SHN’s Golden Gate Theatre, tries to possess everything ways and therefore has it none. In fashioning an alternative solution history concerning the supposedly lost daughter of Tsar Nicholas II, the show stalls inside the self-evident, insists the foregone is suspenseful and foists weight upon the meaningless. Chris Jones, Chicago Tribune: The national tour, I’m pleased to report, has become done right. Among the advantages of a lot digital scenery is they can bring it on the highway – plus they can’t scale back the physical scenery all that much and never have to reprogram everything. Which means you obtain the full Broadway experience. Hedy Weiss, WTTW: Coogan brings a winningly unaffected quality to Anya, and uses her strong if something significantly less than beautiful voice to fine effect. So when Dmitry, Brower does a good job of growing from streetwise kid to honorable son.

And as Gleb, Evans does a credible job as a guy of divided loyalties. Lots of the others inside the cast are caricatures instead of characters, calling in your thoughts how Carol Burnett may have devised a comic sketch concerning the era. Alan Bresloff, Round the Town Chicago: The storyline is well told using a book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens. Although it isn’t as strong as their other musical “Ragtime”, I believe this is a well told story and beautifully staged by Darko Tresnjak with great choreography by Peggy Hickey. Patrick O’Brien, Chicagoland Musical Theatre: What’s holding it back? Maybe it’s the material itself. Stretching a 90-minute movie right into a two-act musical could make things just a little thin. Despite the fact that McNally does then add episodes that steer this family-oriented musical into some grisly territory, such turns feel just like affectations at maturity when the rest is indeed broadly convivial, so – dare we say?